by Reed Hoffmann | Apr 30, 2020 | Advanced, Archiving, Beginner, Computers, Intermediate, Technology
When I bought my first external hard drive in the 80s, it was 60-megabytes and I thought I’d never fill it. Of course, documents were much smaller then, and I wouldn’t start shooting digital for another ten years. Since then, I’ve bought many, many more hard drives...
by Reed Hoffmann | Apr 16, 2020 | Advanced, Beginner, Camera Gear, Intermediate, Night Photography, Travel, Workshops
It was nearly a year ago that I saw a prototype of the Peak Design Travel Tripod. Right away, I thought, “I’ve got to get one of those.” Not because I needed a tripod (I already have several) but because it was going to be the right tool for certain jobs. When I took...
by Reed Hoffmann | Apr 5, 2020 | Action, Advanced, Beginner, Camera Gear, Exposure, Focus, Intermediate, Lenses, People, Travel, Workshops
At the beginning of February I received a Nikon Z 50, and since then have used it for two workshops in Cuba, a short trip to San Diego and two NCAA basketball games. For a camera aimed at the more basic end of the market, it has the quality and performance to...
by Reed Hoffmann | Mar 31, 2020 | Camera Gear, Exposure, Flash, Intermediate, Lenses, Light
In these days of heavy hand-washing, a recent household chore led to a fun soap bubble shoot. No, not THAT kind of shoot… After filling some of the soap dispensers in our house, I rinsed out the bulk container and left it draining in the sink. When I went back to take...
by Reed Hoffmann | Mar 29, 2020 | Advanced, Beginner, Composition, Intermediate, Light, People, Travel, Wildlife, Workshops
Most years, in January or February I try to post a story about some of my favorite photos from the previous year. But this year I was so busy then that I never got around to it, and thought, “oh well.” Now, though, I have time on my hands, so here goes. Part of the...
by Reed Hoffmann | Mar 24, 2020 | Advanced, Beginner, Camera Gear, Composition, Education, Intermediate, Lenses
This story is a short one, because the visual evidence is so obvious. There’s no such thing as “compression” of the scene when talking about telephoto lenses. When you use a telephoto lens, you’re simply getting a narrower angle of view than what you see with your...
