by Reed Hoffmann | Feb 2, 2016 | Advanced, Beginner, Camera Gear, Education, Intermediate, Lenses, People, Technology
Having lots of menu choices and switches on our cameras today is both good and bad. It’s great to have options, but can be difficult to figure them out. Nowhere is that more apparent than with autofocus. Over the last six months I’ve had several shoots with time to...
by Reed Hoffmann | Jan 15, 2016 | Advanced, Beginner, Camera Gear, Intermediate, Lenses, Travel, Wildlife, Workshops
This summer I’m leading another photo safari to Tanzania and the Serengeti, for Mentor Series. I’ve led this same trip five times previously, so thought I’d write a story telling those attending what to expect. And, if you’re interested in doing a trip like this in...
by Reed Hoffmann | Jan 7, 2016 | Advanced, Beginner, Education, Intermediate, People, Travel, Workshops
This April I’m returning to Peru, which is an exceptional trip and there are still a few spots open. Having led workshops there a few times, I’ve found that while people come for Machu Picchu and the Incan ruins (which are as spectacular as you’ve heard), they find...
by Reed Hoffmann | Dec 27, 2015 | Advanced, Beginner, Camera Gear, Education, Intermediate, Lenses, Light, People, Travel, Workshops
In 2001, when I was new to leading photography workshops, I was invited to take a group to India. It was beautiful but exhausting. The sights, smells, colors and sounds were overwhelming. Last month I took a group to India again, for the Mentor Series, and this time...
by Reed Hoffmann | Dec 14, 2015 | Action, Advanced, Beginner, Camera Gear, Intermediate, Lenses, Video
Bad weather can make good pictures. Which is about the only reason I was at Arrowhead Stadium Sunday afternoon. For the second home game in a row, we had constant rain. What a pain. On the plus side, the light was nice and soft, meaning no contrast problems or faces...
by Reed Hoffmann | Oct 1, 2015 | Advanced, Color Management, Editing, Intermediate, Photoshop, Printing
An old friend once told me, “It’s not a picture until you can hold it in your hands.” There’s some truth to that. Having a physical print to touch, to be able to change its angle to the light, move it closer and further from your eyes – there’s something special about...
